As promised I’m going to start posting all these writings that I’ve been storing up for the past months. Here goes:
I’m going to start out with the music of my childhood, Can. Not going to lie, Tago Mago was the first album I ever bought . . . I remember being thirteen and my brother giving me fifteen dollars to go buy myself something nice. I came back with Can. Not going to lie I don’t remember much else about the incident, other than that I spent the rest of the summer with the music on loud, running the player from a series of extension cords going through the window of my bedroom, the roses in the garden outside, into the lawn, and past it into the fallow field that lie
beyond our house. There I could run, dig, pretend, burn the skin on my shoulder and back while still listening to those beated, semi-psychedelic tones.
I guess the entire push of this article is that Can is the music of summer, the summer of children, when running and playing is all one can ever think about. It’s reminiscent of the smell of sunscreen applied in liberal amounts because everyday you have to deal with parents ranting about how “Skin Cancer Kills!” and reminds a person of skinned knees, fresh strawberries and cut watermelon. I suppose this musing, about how Can makes me feel and the setting in which it should be listened, might be only due my close tie to it and narrow mindedness to branch out my listening to other situations.
Whichever, I think I’m going to slice up some winter melon . . . I’m making a winter melon soup for dinner, since it has gotten so chilly here as of late. Thankfully, I pulled my winter clothing out of storage in the closet last weekend . . . or I would have had to shuffle groggily this morning to find my gloves and coat (not that they helped . . . I forgot to go out and start the car earlier than normal, so I had to sit in it, freezing while it warmed up).
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